A new musical encounter between jazz and Brazilian rhythms
This groundbreaking collaboration between Stan Getz and Charlie Byrd heralded the beginning of the bossa nova boom in America. Recorded in just three hours, it quickly became a huge hit upon its release. Tracks like "Desafinado" remain beloved today as a masterpiece that symbolizes the fusion of jazz and Brazilian music.
Recorded at All Souls Unitarian Church in Washington, D.C. on February 13, 1962. Produced by Creed Taylor, this is a work that allows you to experience a new genre.
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A:
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1)
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Desafinado
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2)
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Samba Dees Days
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3)
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O Pato (The Duck)
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4)
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Samba Triste
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B:
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1)
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Samba De Uma Nota So
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2)
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E Luxo So
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3)
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Baia
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4)
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Samba De Uma Nota So (Big Band Version)
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Tenor Saxophone - Stan Getz
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Producer [Original Sessions] - Creed Taylor
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Trumpet - Doc Severinsen (B4)
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Flugelhorn - Clark Terry (B4)
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Percussion - Buddy Deppenschmidt (A1 to B3)
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Bass, Guitar - Gene Byrd (A1 to B3)
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Guitar [Soloist] - Charlie Byrd (A1 to B3)
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Bass - Keter Betts (A1 to B3)
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Percussion - Bill Reichenbach (A1 to B3)
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Bass Trombone - Tony Studd (B4)
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Bass Clarinet - Romeo Penque (B4)
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Guitar - Jim Hall (B4)
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Valve Trombone - Bob Brookmeyer (B4)
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Piano - Hank Jones (B4)
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Trumpet - Bernie Glow (B4)
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Clarinet - Ray Beckenstein (B4)
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Alto Flute - Eddie Caine (B4)
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Arranged By, Conductor - Gary McFarland (B4)
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Drums - Johnny Rae (B4)
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French Horn - Ray Alonge (B4)
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Cabasa [Cabassa] - Carmen Costa (B4)
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Flute - Jerry Sanfino
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Clarinet - Arthur "Babe" Clark
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Tamborim - José Paulo (B4)
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Bass - Tommy Williams (3) (B4)
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Painting [Cover] - Olga Albizu
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Engineer [Recording] - Ed Green
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Liner Notes - Dom Cerulli
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Performer - The Gary McFarland Orchestra (B4)
